• About
    • About HFA
    • HFA Awards
    • Associated Equipment
    • Banners on HFA
    • HFA Analytics Data
    • HFA Audio Setup History
    • HFA Audio Setup Snapshots
    • Sitemap
    • Contact
  • HFA Awards
  • Reviews
    • All Reviews
    • Amplifier
      • All Amplifier Reviews
      • Integrated Amplifier
      • Preamplifier
      • Power Amplifier
      • Phono Preamp
    • Loudspeaker
      • All Loudspeaker Reviews
      • Passive Speaker
      • Active Analog Speaker
      • Active Digital Speaker
    • Digital
      • All Digital Reviews
      • CD Player
      • SPDIF DAC
      • USB DAC
      • Music Server
      • Network Player
      • Digital Recorder
      • Digital Interface
      • Audio Software
    • Turntable and Accessories
      • All Turntable and Accessories Reviews
      • Turntable
      • Tonearm
      • Phono Cartridge
      • Turntable Accessories
    • Cable
      • All Cable Reviews
      • Analog Interlink
      • Phono Interlink
      • Speaker Cable
      • Power Cable
      • Digital Cable
    • Accessories
      • All Accessories Reviews
      • Racks / Stands / Feet
      • Tuning / Tweaks
      • Power Connector
    • Industry Update
  • Insights
    • All Insights
    • Analog Insights
    • Cable Insights
    • Connector Insights
    • Digital Insights
    • Extensionblocks / Filters Insights
    • Generic Insights
    • System Synergy Q&A
  • Specials
  • Show Reports
    • All Show Reports
    • Alkmaar Audio Show
    • Chattelin Audio Systems
    • Dutch Audio Event
    • Enosound
    • HifiDeluxe
    • HifiLive
    • Munich High End
    • XFi
  • Classics
    • All Classics
    • Analog Classics
    • Digital Classics
  • Links
  • About
    • About HFA
    • HFA Awards
    • Associated Equipment
    • Banners on HFA
    • HFA Analytics Data
    • HFA Audio Setup History
    • HFA Audio Setup Snapshots
    • Sitemap
    • Contact
  • HFA Awards
  • Reviews
    • All Reviews
    • Amplifier
      • All Amplifier Reviews
      • Integrated Amplifier
      • Preamplifier
      • Power Amplifier
      • Phono Preamp
    • Loudspeaker
      • All Loudspeaker Reviews
      • Passive Speaker
      • Active Analog Speaker
      • Active Digital Speaker
    • Digital
      • All Digital Reviews
      • CD Player
      • SPDIF DAC
      • USB DAC
      • Music Server
      • Network Player
      • Digital Recorder
      • Digital Interface
      • Audio Software
    • Turntable and Accessories
      • All Turntable and Accessories Reviews
      • Turntable
      • Tonearm
      • Phono Cartridge
      • Turntable Accessories
    • Cable
      • All Cable Reviews
      • Analog Interlink
      • Phono Interlink
      • Speaker Cable
      • Power Cable
      • Digital Cable
    • Accessories
      • All Accessories Reviews
      • Racks / Stands / Feet
      • Tuning / Tweaks
      • Power Connector
    • Industry Update
  • Insights
    • All Insights
    • Analog Insights
    • Cable Insights
    • Connector Insights
    • Digital Insights
    • Extensionblocks / Filters Insights
    • Generic Insights
    • System Synergy Q&A
  • Specials
  • Show Reports
    • All Show Reports
    • Alkmaar Audio Show
    • Chattelin Audio Systems
    • Dutch Audio Event
    • Enosound
    • HifiDeluxe
    • HifiLive
    • Munich High End
    • XFi
  • Classics
    • All Classics
    • Analog Classics
    • Digital Classics
  • Links
scroll down for more
Apogee Acoustics Company Special

Apogee Acoustics Initial Listening Sessions

Christiaan Punter 14 July 2013 2 Comments
  • Facebook
  • Twitter
  • LinkedIn
  • Pinterest
  • Email

Apogee all models aligned with names cropped 550pix

View all models in detail

Apogee speakers listened to in various setups, covering several models, from Centaurs via Duattas and Divas to Scintillas, Grand and Full Range

My closest friend and listening buddy JW has always had Apogee Centaur ribbon/cone hybrid speakers. They are tiny but perform extremely well within their limits. He wanted bigger bass and was hopeful that the larger brother of his speakers in the same series would deliver just that: the same excellent sound, but now fuller and bigger. Alas, this didn’t quite work out. No matter what we tried, the Centaur Majors wouldn’t sound well at his place, sounding bulky, coloured and dark, with coarse treble as a not-so-fresh cherry on top.

May 2013 – first Apogee in my listening room: Centaur Major

To see what we could squeeze out of JW’s Majors, we moved them to my listening room and indeed got much better results. Still, the treble wasn’t as airy as we’re used to from his Apogee Centaurs or my Magnepan MG3.6’s but there was something to the Apogee sound that my Magnepan MG3.6’s couldn’t quite match. In a word: Coherence.

Apogee-Centaur-Major_550pix IMG_9349

Apogee-Centaur-Major_550pix IMG_9340

Apogee-Centaur-Major_550pix IMG_9368

I never got around to writing a proper review of these speakers. That’s due to them not sounding entirely to my taste but offering enough advantages over my then current Magnepan MG3.6R’s, that they sparked a new interest for me in the quest for the Apogee sound. My friend JW’s Centaurs have super-airy treble, similar to the Maggies’ treble, but the Centaur Majors in spite of a very lively upper midrange sounded quite dark on top. Bass integration, however, was spectacular with lots of power, heft and speed. My aim was combining the strengths of my Magnepans with the strengths of Apogee. To that end I have been listening to various models in the owner’s homes.

8-6-13 – visiting a Duetta Signature setup

JW, the aforementioned listening buddy, has now acquired a fully restored pair of Duetta Signatures – the same ones as on the pictures below in the previous owner’s place. We have brought Jeff Rowland pre- and power amps to the seller’s place and found out that not only do the model sixes drive the Duettas splendidly, they also seem to be a match made in heaven.

audioThingMan-nieuw_03_550pix

Oh, about those stories detailing Apogee full range ribbon speakers having incredible bass? You better believe them! The Duetta Signatures have such a fullness of bass and more importantly depth, that I was seriously wondering if there really wasn’t a subwoofer hidden secretly.

audioThingMan-nieuw_05_550pix

Apogee-DuettaSig-Toine_550pix IMG_0160

Early June 2013 – visiting the first Diva setup

The story doesn’t end with the Duettas though as I have also listened to a pair of Divas, set up in what may well be the smallest listening room that I have ever seen, minus perhaps my own cinema room. Needless to say, even though the Divas still do some things very well even in this crowded space, they did not image very well and the sound was pretty unbalanced and forward. I also noticed how closed in they sounded – nothing like the extended and airy treble that I’m used to from my Magnepan MG3.6’s, Apogee Centaur or indeed the Apogee Duetta Signature. At this stage, I figured that it was probably the room but I’d find out later that it may well be the design of the Diva.

Apogee-Diva-Michel_550pix IMG_0135

Above: I don’t want to be harsh on the owner but Apogees, and any dipole speakers really, need more space than this.

Yes, that’s a DAC active crossover on top of that Krell amp. This really benefitted the sound in this system. Incidentally, the curling effect you see in the right speaker isn’t the foil itself, rather it is the protective screen that produces some sort of moire effect. It is more obvious at some distances than at others and it is also dependent on lighting conditions.

14-6-13 – visiting the second DIVA setup

We have now also listened to another pair of Divas, set up in a much larger space. Again we’ve brought the Rowlands even though at first it wasn’t guaranteed that the model sixes would drive the Diva’s well. After having tried the good news is that the sixes do drive the Diva’s splendidly. There is absolutely no lack of control or dynamics. What’s more, they sound a lot more refined than the owner’s Krell KSA250. The latter has more, and tighter, bass, but lacks overall resolution and can be rough around the edges. The bad news is that it seems that the Diva’s are indeed by design darker sounding than other Ribbon speakers I have heard, other Apogees included. It’s a shame really because now that it was clear that the Rowlands would drive them without problems, I was almost ready to purchase. Now I’m having real doubts.

Apogee-Diva_550pix IMG_0173

Above: Look at the size of that designer desktop lamp… those speakers must be seriously tiny, no?

Apogee-Diva_550pix IMG_0175

Just kidding… the Divas are actually more than man-sized. Surprisingly, my trusty Rowland model sixes can even drive these speakers well. I wasn’t entirely expecting that. Next: 1-ohm Scintillas. Bring it on… uhh, probably not.

As it turns out, the Divas do indeed have a deviating tonal balance. Here’s an excerpt from a review in Stereophile: “…if you examine the Diva’s frequency response, you can clearly see that the lower mids and the deep bass are emphasized in relation to the upper mids and treble. The response begins to droop at 400Hz and is down a full 5dB from 3kHz to 15kHz.”

22-6-13 – Duetta Signature – in my own listening room

The Duetta Signatures definitely do not have any darkness in the treble. They have now been set up in my room for a week and I’m loving them more and more. These particular Duettas have been fully revised and also have upgraded filters.

Apogee-DuettaSig-Toine_550pix IMG_9638

Even when set up like this they sound wonderful. Well, not really:-) But it makes for a nice comparative image. The Maggies, however, seemed to benefit from having two large screens in-between: their bass was fuller, with more body, while imaging remained intact.

Apogee-DuettaSig-Toine_550pix IMG_9690

The filters had been upgraded and no longer fit inside the cabinet. Oh, and the 4-euro per meter vdHul speaker cable you see in this picture makes for a better match than the 6000-euro Transparent Reference XL… More on this in the upcoming review.

Apogee-DuettaSig-Toine_550pix IMG_9684

This is their final position – MRTW ribbons at almost the same position as the Maggies but further away from the rear wall. But because the Apogees are a lot wider than the Maggies, I have to lean all the way back on the listening couch in order to get them entirely on a photo. The Maggies lurk in the background, almost looking small while in reality, they are a lot higher than the Duetta Sigs. The latter are 11cm wider but don’t actually appear that wide. Beauty, they say, is a matter of proportions. I must concur.

Related Posts
Apogee Scintilla – rebuild
Apogee Scintilla
Apogee Diva
Apogee DAX
Apogee Duetta Signature
Apogee Full Range
Apogee Diva – Inside Pictures
Apogee Duetta Signature – Inside Pictures
Page 1 of 2
Apogee Acoustics
  • Share This:
  • Facebook
  • Twitter
  • LinkedIn
  • Pinterest
  • Email
Christiaan Punter Owner of Hifi-Advice.com

2 Comments

  1. Caron Jones says:
    24 October 2021 at 17:47

    I have a boxed pair of Divas in Anthracite S/N 10219 with DAX 3. Also a pair of ‘Subwoofer 10’ with Subwoofer DAX S/N 21466. The Divas have had their Crossover boxes modified to use the DAX 3. The system was powered with 3 pairs of Krell KRS200 Power Amps. Due to building a new house, all the equipment has been stored in their original boxes in a heated garage for over 10 years – all was working perfectly when they were boxed.
    Would anyone who is interested in buying all or part of this equipment please contact me. I am based in South Wales, UK.

    Reply
    1. Nick Holden says:
      7 October 2022 at 22:20

      Hi Caron. Yes potentially interested, if you still have them. Cheers, Nick.

      Reply

Your comment Cancel reply

All feedback is welcome but I may not be able to respond to every comment. First-time comments need manual approval which may cause a slight delay. Avoid using links to prevent marking as spam.

 

Categories

  • Accessories Reviews
  • Active Analog Speakers Reviews
  • Active Digital Speakers Reviews
  • Alkmaar Audio Show
  • Amplifier Reviews
  • Analog Classics
  • Analog Insights
  • Analog Interlink Reviews
  • Analogy Records
  • Apogee Acoustics Company Special
  • Audio Software Reviews
  • Audiophile Insights
  • Cables Insights
  • CD Player Reviews
  • Chattelin Audio Systems
  • Connectors Insights
  • Digital Cable Reviews
  • Digital Classics
  • Digital Insights
  • Digital Interface Reviews
  • Digital Recorder Reviews
  • Digital Reviews
  • Dutch Audio Event
  • Enosound
  • Extensionblocks / Filters Insights
  • Generic Insights
  • HFA Audio Setup History
  • HFA Audio Setup Snapshots
  • HifiDeluxe
  • HifiLive
  • Industry Update
  • Integrated Amplifier Reviews
  • Marantz & Philips Classics
  • Munich High End
  • Music Server Reviews
  • Network Player Reviews
  • Passive Speakers Reviews
  • Phono Cartridge Reviews
  • Phono Interlink Reviews
  • Phono Preamp Reviews
  • Power Amplifier Reviews
  • Power Cable Reviews
  • Power Conditioning
  • Power Connector Reviews
  • Preamplifier Reviews
  • Racks / Stands / Feet Reviews
  • Rhapsody
  • Show Reports
  • SPDIF DAC Reviews
  • Speaker Cable Reviews
  • Specials
  • System Synergy Q&A
  • Tonearm Reviews
  • Tuning / Tweaks Reviews
  • Turntable Accessories Reviews
  • Turntable and Accessories Reviews
  • Turntable Reviews
  • Uncategorized
  • USB DAC Reviews
  • XFi

BRANDS

  • A&B Systems
  • A10 Audio
  • Aavik
  • Acapella
  • Accuphase
  • AcousticMatters
  • Acustica Applicata
  • Admire Audio
  • Aequo Audio
  • AG Lifter
  • Aidas
  • Akiko Audio
  • Analog Domain
  • Analogy Records
  • Analysis Audio
  • Analysis Plus
  • Ansuz
  • Anthem
  • Anti-Cables
  • Antipodes
  • APL
  • Apogee
  • Apogee Acoustics
  • Aqua
  • Arcam
  • Aries Cerat
  • Artesania
  • ASI
  • Astin Trew
  • atm audio
  • A Tube High Fidelity
  • Audeze
  • AudioAanZee
  • Audio Aero
  • Audio Club Premier
  • Audio GD
  • Audiolab
  • Audiolympic
  • Audiomeca
  • Audio Note
  • Audionote
  • Audio Origami
  • Audio Physic
  • AudioQuest
  • Audio Research
  • Audio Synthesis
  • Audio Technica
  • Auralic
  • Aurender
  • Aurum Cantus
  • Avalon
  • AvantGarde
  • AVID
  • AVIDHIFI
  • Ayon
  • Ayre Acoustics
  • B&W
  • Bals
  • Bang & Olufsen
  • Behringer
  • Belden
  • Benz
  • Bergmann
  • Black Rhodium
  • Boenicke Audio
  • Bowers & Wilkins
  • Bricasti
  • Bryston
  • Burmester
  • Børresen
  • CAD
  • Cardas
  • Care Orchestra
  • CAT
  • CEC
  • Chord Electronics
  • CH Precision
  • Clarisys Audio
  • Classé
  • Clearaudio
  • Concert Fidelity
  • Conrad Johnson
  • Consonance
  • COS
  • Curious Cables
  • D'Agostino
  • DAD
  • Dali
  • Daniël Hertz
  • Daudio
  • dCS
  • Degritter
  • Denafrips
  • Denon
  • Devialet
  • Devore
  • Diptyque
  • Doepke
  • Driade
  • DS Audio
  • Dynavector
  • Dynavox
  • E&T
  • EC-Designs
  • Echole
  • Elac
  • Electrocompaniet
  • Elijah Audio
  • EMAG
  • EMMLabs
  • Emotiva
  • EMU
  • Enosound
  • Ensemble
  • Esoteric
  • Estelon
  • Euphony
  • Exogal
  • Fadel Art
  • Fezz Audio
  • FIM Gold
  • Final
  • Final Touch Audio
  • Finite Elemente
  • FoilFlex
  • Franco Serblin
  • Furutech
  • Fusion Audio
  • Gauder Akustik
  • Genelec
  • Gigawatt
  • GiK
  • Goldmund
  • Graham Audio
  • Grandinote
  • Grimm Audio
  • Gryphon
  • Gustavson Audio
  • Halcro
  • Hanze Hifi
  • Harman/Kardon
  • Harmonic Resolution Systems
  • Harmonic Technology
  • Harmonix
  • Heaven's Gate
  • Hifi-Tuning
  • HiFi.nl
  • HifiMan
  • High Fidelity Cables
  • Hofa
  • Holo Audio
  • Home Audio Fidelity
  • HRS
  • IeGO
  • Ikigai
  • IMF
  • Isotek
  • Jadis
  • Jay's Audio
  • JCAT
  • Jeff Rowland
  • Jena Labs
  • JMF Audio
  • Jorma Audio
  • Jorma Design
  • Joseph Audio
  • JPLAY
  • JVC
  • Kemp
  • Kharma
  • Kimber
  • KingRex
  • Kinki Studio
  • KlinktBeter
  • Kora
  • Krell
  • Kroma Audio
  • Kupp
  • Laiv Audio
  • Lampizator
  • Lapp
  • LAST
  • Lector
  • Leema
  • Lejonklou
  • LessLoss
  • Line Magnetic
  • Linn
  • Logitech
  • LOK
  • Loudness War
  • Lumin
  • Luxman
  • M2Tech
  • Mad Scientist
  • Magico
  • Magnan
  • Magnepan
  • Mamba Audio
  • Manley Labs
  • Manunta
  • Marantz
  • Mark Levinson
  • Marten
  • Martin Logan
  • Master
  • Matrix
  • MBL
  • McIntosh
  • Melco
  • Melody
  • Meridian
  • Metrum Acoustics
  • Michell
  • MIT
  • MJ Acoustics
  • Modus Audio
  • Mogami
  • Mola-Mola
  • Monitor Audio
  • Monrio
  • Moon
  • Morel Hifi
  • Musical Fidelity
  • Mytek
  • Nagaoka
  • Naim
  • Naiu Laboratory
  • Nakamichi
  • NBS
  • Network Acoustics
  • Niels Setup
  • Nordost
  • NuPrime
  • Ohm Audio
  • Olive
  • Onkyo
  • Onzow
  • Origin Live
  • Ortofon
  • Oyaide
  • Panasonic
  • Paradigm
  • Parasound
  • Pass Labs
  • Philips
  • Pink Faun
  • Pioneer
  • Playback Designs
  • Precision Audio
  • PrimaLuna
  • Proceed
  • PS Audio
  • PUUR AVD
  • PUUR hifidelity
  • Pylon Audio
  • Qln
  • Qobuz
  • Quad
  • R.T.F.S.
  • RAAL Requisite
  • Raidho
  • Reference Sounds
  • Reference Tweaks
  • Rega
  • Rein Audio
  • REL
  • Resonator Stockholm
  • Revel
  • Ricable
  • Roon
  • RTFS
  • SAEQ
  • SAT
  • Schiit
  • Seawave Acoustic
  • Sennheiser
  • Shakti
  • Shuguang
  • Shunyata
  • Shure
  • Signal Projects
  • Silent Angel
  • Siltech
  • SME
  • SolidSteel
  • Solid Tech
  • Sonic Frontiers
  • Sonos
  • Sonus Faber
  • Sony
  • Sooloos
  • SOtM
  • Soulution
  • Sound Anchor
  • Sound Lab
  • Spectral
  • Spotify
  • Stack Audio
  • Stealth
  • Stillpoints
  • Straight Wire
  • SW1X Audio Design
  • Symo
  • Synergistic Research
  • Synology
  • Synthese
  • T+A
  • Taiko Audio
  • Tascam
  • Teac
  • TechDAS
  • Technics
  • The Chord Company
  • Thorens
  • Transparent Audio
  • Trends
  • Tung Sol
  • Unison Research
  • UpTone Audio
  • VAIC
  • van Damme
  • van den Hul
  • van Medevoort
  • Vermeer Audio
  • Vermouth Audio
  • Vibex
  • Vifa
  • Vincent
  • ViRa High End
  • Viva
  • Vivid Audio
  • VTL
  • Wadax
  • Wadia
  • Wattgate
  • Wattson
  • Way Cables
  • Weiss
  • Western Electric
  • WestminsterLab
  • Widealab
  • Wilson Audio
  • Wilson Benesch
  • Winyl
  • Wires 4 Music
  • Wireworld
  • Wolf von Langa
  • Wooden Bull
  • XACT
  • Xavian
  • xFyro
  • Xindak
  • XLO
  • Yamaha
  • Zanden
  • Zesto
  • ZYX

Visit HFA on Social Media

Instagram
Facebook
Twitter
YouTube

LEGAL

Privacy Policy

This site is protected by reCAPTCHA. Google Privacy Policy and Terms of Service apply. All rights reserved © 2021 - hifi-advice.com.
  • Contact
  • Home