Review samples supplied by Ohm Audio
Retail prices per pair in the Netherlands, including 21% VAT:
Børresen Z1 – €10.000
Børresen Z1 Cryo – €12.000 (as reviewed)
Børresen Z1 Stand – €2.400
Børresen 01 – €29.700
Børresen 01 Cryo – €31.700
Børresen 01 Silver Supreme Edition – €43.000 (as reviewed)
Børresen 01 Stand – €4.300
Ansuz Darkz C2T – €280 per piece
Ansuz Darkz S2T – €640 per piece
Ansuz Titanium Balls – €48 for a set of 3 for 1 Darkz
Ansuz Tungsten Balls – €84 for a set of 3 for 1 Darkz
Børresen Acoustics
Together with Ansuz and Aavik, Børresen Acoustics is part of Audio Group Denmark, a company known for innovative, high-performing, and gorgeously stylish audio products. Børresen loudspeakers are named after Michael Børresen, the original founder, owner, developer, technical brains, and manufacturer of Raidho speakers. Now devoting 100% of his time to Børresen Acoustics, the brand offers two different speaker series: the 0-Series and the Z-Series.
When Børresen Acoustics embarked on the endeavor to create what they regard as the ultimate loudspeaker, they set themselves some overriding goals: Reengineering the driver technology, optimizing the crossover, bringing inductance down to the absolute minimum, and providing the loudspeakers with the best mechanical grounding and resonance control.
Why Børresen avoid iron in loudspeaker designs
In most speaker drivers iron is used to conduct the flux, so that you, with one magnet, can create a quite narrow gap where the voice coil is placed. The iron inside and outside of the voice coil creates a concentration of flux, together with the current in the voice coil, that in the end moves the speaker coil.
Iron simply makes it impossible to push the flux above a certain degree and that means that when you are using iron in this classic way, it will limit the flux that the speaker driver is able to create. But when the sum from the electromagnet is negative, compared to the DC Flux, you can easily lower the flux.
The iron-free Børresen magnet system is the solution to both minimizing noise and creating a wider flux span. It is what it promises: a magnet system without iron. This results in a 1/10th inductance of the voice coil to what you would experience in regular speaker drivers.
A speaker driver with less or no iron at all will perform better. Creating an environment where the magnetic flux change is minimized – or evened out – will create a speaker that sounds much more natural.
This is the result that Børresen aims for: “A speaker that does not sound like a speaker, but sounds much more like “the real thing”; the artist in front of you.“
For more information, see the optimizing the loudspeaker magnet system article and video on the AudioGroupDenmark site.
Z1 Description
The Børresen Z1 is a 2-way stand-mount speaker. It’s compact in size but with majestic performance. The Z-series from Børresen Acoustics are more affordable than the upper-tier 0-series, but no savings have been made where this matters most. For example, the tweeter and drivers in the Z1 are in the basis the same as the units in the 0-series.
Børresen Z1 Crossover
The black baffle/waveguide is made from HDF composite and is attached in a screwless manner, such that it can still be removed. Where the 0-series from Børresen Acoustics is lute-shaped, the Z-series use a more basic square cabinet with smoothly rounded corners. The drivers and crossovers are unique and made in-house by Børresen. The dipole planar tweeter operates from 2,500 Hz and is made of a special type of foil with a moving mass of only 0.01 grams and is driven by a fast and super powerful Super-Neodymium N52 magnet. The Bass/Midrange unit is a 4.5” cone consisting of a 4 millimeter thick ‘Nomex Honeycomb Core’ design with two layers of unwoven carbon fiber from the Japanese manufacturer ‘Toray’, a high-tech manufacturer that also makes parts for Formula 1 cars and the aerospace industry. The structure of the woofer ensures an optimal stiffness-to-weight ratio and therefore optimal sound quality. As with the tweeter, the woofer cone is driven by a powerful Neodymium N52 magnet. The combination of both a light moving mass and a powerful N52 Neodymium drive ensures an extremely fast acceleration of the units, this ensures a fast playback. The materials used also ensure an extremely low self-inductance, which in turn ensures that little distortion or resonance occurs.
The Borresen Z1 is an open (bass-reflex) system, but because of the clever use of diffusers at the bass port, the bass port does not emit large sound waves with a lot of energy to the rear wall. Instead, the sound waves are broken up and reduced in size, resulting in reduced energy output from the bass port. This allows you to place the Borresen Z1 pretty close to the back wall without causing resonating or dominating bass. Nevertheless, in many rooms, a little extra space is often desirable for optimal transparency and depth of imaging.
Optionally, you can add additional Darkz decouplers underneath as the interface between the speaker stand and the floor.
Cryogenic Treatment for speakers?
Cryogenic treatment in itself is nothing new. It’s often used to treat cables and connectors, but its use for loudspeaker parts is quite unique. The Børresen Acoustics speakers from the Z-Series and the 0-Series are both available in a ‘Cryo’ version. The Z1s that are reviewed here have undergone this Cryo process.
“A selection of elements in our Ansuz products, the handcrafted Børresen driver units, and all the metal components of several of our loudspeaker models undergo an in-house, specialized cryogenic treatment, where they are subjected to a cooling process lasting 72 hours.
The cryogenic treatment of the metal parts is done by Børresen Acoustics in-house and in their own specific manner. The cryogenic treatment of the metal parts is a process that takes a total of 3 days. In the first 24 hours, the metal parts are cooled to cryogenic temperatures. During the next 24 hours, the temperature is kept constant at around -196° Celsius. During the following 24 hours, the temperature of the metal parts is gradually raised to room temperature. Gradual cooling and heating of the metal parts are critical to avoid thermal stress in the metal. The cryogenic treatment of the metal parts compresses and strengthens the structure of the metal and reduces the residual stress in the metal which normally occurs when metal changes from its liquid phase to a solid phase. The result of the cryogenic treatment of the metal parts is that the conductivity increases by about 6-8%, which in turn ensures faster and more transparent sound reproduction.
For more information, see the why Cryogenic treatment increases performance article and video on the AudioGroupDenmark site.
01 Description
The Børresen 01 (number-zero, not letter-O) has a special lute-like enclosure with a rigid detachable HDF baffle that is mounted using a screwless design. The drivers and crossovers are manufactured in-house and completely unique. The dipole planar tweeter is made of a special type of foil and has a moving mass of only 0.01 gram (!) and the drive is done by fast and super powerful Super-Neodymium N52 magnets. The tweeter is located in its own compartment in the cabinet which is vented by means of two ventilation openings on the side of the cabinet and 1 port on the back of the rear of the speaker.
The 4.5” Bass/Mid unit consists of a 4 millimeter thick ‘Nomex Core’ cone design with two layers of unwoven carbon fiber which is produced by the Japanese manufacturer ‘Toray’, a high-tech manufacturer that also makes parts for Formula 1 cars and the aerospace industry. Similar to the tweeter, the cone is driven by a Super-Neodymium N52 magnet, combining both a light moving mass and a powerful N52 Neodymium aa drive provides extremely fast acceleration and stopping power of the units, this ensures a fast and open, and very uncolored display. The materials ensure an extremely low self-inductance, which in turn ensures that little distortion or resonance occurs.
The Børresen 01 is an open (bass-reflex) system, but because of the clever use of diffusers inside the bass port, the port does not emit large sound waves with a lot of energy to the wall. Instead, the sound waves are broken up and reduced in size, resulting in reduced harmful energy output from the bass port. This allows placing the speakers up to about 40 cm from the back wall without introducing dominating or resonating bass. Nevertheless, in many rooms, a little extra space is often desirable for optimal transparency and depth of imaging.
Børresen 01 Crossover
The Børresen 01 comes complete with 3 top-tier Ansuz T2S (Supreme) Darkz decouplers. These are intended for use between the speaker cabinet’s underside and the dedicated 01 Stands but if desired they can also function on any other stand.
Standard, Cryo Edition, and Silver Supreme Edition
The Cryo Edition version is similar in construction to the standard version. Only in the Cryo version, all metal parts that can be found in the loudspeaker are cryogenically treated one piece at a time. The parts are cooled down to -196 degrees Celsius and slowly brought back to room temperature. As a result, the internal molecular structure changes, and the stress from the materials disappears. The cryo treatment is done in-house at Børresen Acoustics itself, it is an expensive process but yields a substantial gain in sound quality.
The Silver Supreme Edition is again the same as the Cryo version, however, this version utilizes hand-cast and CNC-machined pure silver induction rings in the drivers. These drastically change the properties of drivers, in a very positive way. The inductance is about 12 times lower than that of conventional drivers and the distortion is reduced by as much as about 40%.
The 01 version reviewed here is the Silver Supreme Edition.
Next: Stands and Darkz
Great review, as always. Thanks. I didn’t look up the specs but did you try the Z1 with a tube amp? It would probably not with a 20 wpc tube amp, would it?
Regards, Jan
Hi Jan, I no longer own a tube amp and haven’t tried, but I would imagine that the 60-Watt Ayon Spirit III (or the V) would have had no issues with the Z1 whatsoever. Whether a 20-Watt tube amp would also cut it, I cannot say. It will depend on how it was designed and on how loud you want to play. I never got the impression that the Z1s are particularly hard to drive, but at 86 dB, they are not very sensitive and they will require some potency if you want to play louder. My guess is that if you’re going to extract the best of them in terms of tightness, agility, and transient behavior, it may prove hard (or costly) to find a well-matching tube amp. Finding a well-matching transistor amp will likely be much easier.
What “review?” This is not a review.
Hello CP,
Can you indicate how these Børresen loudspeakers compare to the Franco Serblin Assence, previously reviewed by you? And yes, we also had to bend our knees for balls…..
Regards,
JB
I’ve only reviewed the Franco Serblin Accordo monitors, not the Essense, and comparisons from memory are not hugely reliable. That said, I have heard all their models and think I have a good understanding of their qualities. The main differences between the Børresens and the Accordo Essence are resolution and transparency, where the Børresen simply has the upper hand.
Hello CP,
Can you indicate how these Børresen loudspeakers compare to the Franco Serblin Accordo, previously reviewed by you? And yes, we also had to bend our knees for the balls…..
Regards
Jan
Not looking at the price, would you change the Driade flow speaker cable for the Ansuz C2 speakz ?
This will depend on which virtues one finds most important. Does one prefer the tightest and most precise bass and best overall neutrality or the widest soundstaging, deepest tonal saturation, and most magical delivery? It’s very much a personal matter. In my system, I use the Mad Scientist Black Magic speaker cable which matches even better with the Magicos and the rest of the system. But they have spade connectors and besides are not flexible or long enough to be used with the Børresen monitors. I place a lot of emphasis on bass precision even to the point of accepting less weight in favor of transient speed but I know this is not the most common viewpoint. Many listeners prefer a slightly more relaxed bass and within the context of a Børresen monitor speaker system, I would suggest taking the Ansuz route, among others because the C1 cable’s fuller bass augments the speakers’ bass heft and feeling of listening to a fuller-range speaker.
Hi Christiaan, have to say I also prefer quality bass above quantity, at the moment I am using the older Ansuz POM speakercables, did try also C2 and D2, for me the D2 is where the real magic begins in the Ansuz line, but I will never get myself to buy 18K speaker cables. I might give the driade flow 808 a try to see if it is more my taste.
Have a good xmas
Hi Christiaan,
I am looking for speaker cables for Audiovector R1 Arrete speakers. Is the Ansuz P2 speakz a good choice in this price range, or is the Purist audio design Poseidon better?
With best regards,
Igor
Hi Igor, I’ve not heard any Purist Audio cables so can’t tel you how they compare.
Hi ;
OK , but my main question is I am looking for speaker cables for Audiovector R1 Arrete speakers. Is the Ansuz P2 speakz a good choice ?
Best regards , Igor
Whether or not the P2 Speakz works well for you depends on many factors, not least of which is your personal taste. Also, I have not heard the Audiovector speakers. All I can say is that the P2 may be for you if you feel that the Audiovector in your current setup will benefit from a sweeter, lusher, more relaxed, and more liquid sound.
Wow they are about the same price as Marten Mingus Quintet
Christiaan, as you are known to the improvements Ansuz Darkz can bring. I was wondering if you have ever tested Darkz underneath your Magico S1 mkII, and your opinion about it. Current photos of your setup, shows you are still using the spikes. Do they perform better?
I bet Darkz could sound very nice as speaker footers under the Magico S1s instead of the standard spikes, but they are not compatible in terms of thread, and I don’t dare just placing them underneath the speakers without being fixed. I did buy StillPoints with the intention to use them under the Magicos but that idea has lapsed as I am happy with the speakers just as they are and I use the StillPoints elsewhere.