Technics Grand Class SL-1200GR2, SL-1300G, and SL-1200G
SL-1300G
The SL-1300G deviates from the other models with its cleaner visual design, intended to appeal more to Hi-Fi purists and audiophiles. The stroboscope and indicators on the platter, the cue lamp, and the pitch control are gone, replaced with a beautiful, clean surface that accentuates the player’s sleek chassis, making for a look that, I am happy to confirm, indeed appeals to the audiophile in me.
Featuring the ΔΣ-Drive (Delta Sigma Drive) and Silent Noise Cancelling Power Supply of the SL-1200GR2, a three-layer balanced platter that looks and feels identical to that of the SL-1200G, and a redesigned massive coreless high-torque twin-rotor motor based on the one used for the SL-1200G, the SL-1300G seems to offer the best of both worlds.
The new player does not have the SL-1200G’s elaborate four-layer aluminum-BMC-aluminum-rubber chassis but instead offers a more spartan two-layer aluminum-BMC chassis, as used for the SL-1200GR2. Although superficially similar, the SL1300G’s chassis adds reinforcing ribs between the motor/tonearm on the top panel, which improves rigidity and vibration-damping characteristics.
The SL-1300G uses high-quality gold-plated phono terminals within a metal shielding construction inside the case, the same as for the SL-1200GR2. The power cable is detachable, with the connector mounted in an easier-to-reach straight manner, just as with the SL-1200GR2.
The SL-1300G uses the same aluminum S-shaped arm with a detachable headshell as the SL-1200GR2, rather than the magnesium unit that the 1200G has.
The SL-1300 G uses special silicon rubber for the insulators supporting the body, which ensures high vibration damping characteristics and long-term reliability. The documentation does not list further differences or similarities between the footers of the other models, but they are not made of aluminum and look and feel the same as those used for the SL-1200GR.
Priced between the SL-1200G and SL-1200GR, the SL-1300G aims to provide an ideal balance between the two turntables and offers several top-end features at a more attainable price.
Supplied Cables
Above left are the RCA interlinks delivered with the SL-1200GR2 and SL-1300G. These may look ordinary, but they are thicker and better made than the freebie cables that usually come bundled with audio equipment. Above right are the extra-thick RCA interlinks delivered with the SL-1200G.
The two cables also sound different. The thinner SL-1200GR2/SL-1300G cables sound sweet and lush compared to regular freebie cables, while the SL-1200G cables are still sweet but a little more upfront and powerful. Naturally, I used the same interlinks for all comparisons.
Next: Sidenotes, Review Context, Cartridges, and Listening Part 1
The arm quality – traditionally a weakness of the earlier 1200s – was not really addressed. I would welcome a review comparing the standard are against quality replacements (e.g. Origen Live/modified Rega ).
really interesting review – also a huge work to do…but i wish there are also included the most cheapest ones (mk7 and SL100c) too…maybe some other time.
This was a huge undertaking indeed, but a lot of fun as well! I tried to be as thorough and complete as possible and wanted to include the Mk7 as well, but it was not available. Maybe some other time indeed. Alas, I have not heard the two most affordable “cartridge-included” models, so I cannot comment on how they would compare.
Thanks for this very interesting and comprehensive review. Due to my nomadic life since 2014 I had chosen for streaming only. However, I am more settled now (in Abu Dhabi). In addition, last summer I visited the (mainly vinyl) record shop co-owned by my son (3345, in The Hague) for the first time, and that got me drooling. That got me thinking, and reading reviews. Looked at the SL-1200GR2. The “DJ-look” put me off though, and I figured I wanted something more high end. Eventually I got very interested in the Mofi Ultradeck (or even better, the Masterdeck, but yeah expensive). Your review makes me seriously considering the SL-1300G though. Very sturdy, almost plug and play, AND sounding great.
I had an SL-1800 MkII which I purchased new in 1980 from my employer at the pro sound company where I was employed at the time. I sold it in 2017 and the only defect it had was that the oil in the oil-damped pop-up stylus light leaked out or dried up and it no longer emerged slowly as it did when new, but instantly popped up. The turntable served me very well for 37 years. I recall that it retailed for about $1K at the time.